My new microphone, so treasured when I bought it only weeks ago, appears to be falling apart, resulting in a show in which my sinuses manifest themselves in a way that simply isn’t true to life. That aside, I really liked this week’s episode and have recently discovered that Day Joy have been leapt upon by cool people with far more bloggy caché than this humble knob, which has both pleased and affirmed me. Dream-folk is 4 real.
March 19, 2012
Leave a Comment
January 28, 2012
Leave a Comment
Last week’s Folk Bloke, for all my moaning about a lack of good new tracks for me to play, actually had some really cool stuff on it. From CSLSX’s sampling of Mountain Man in what’s essentially an ’80s electronic track to Barna Howard’s spectacular Bob Dylan impression alongside new singles from First Aid Kit and Lambchop and old tracks from Andrew Bird and Kill It Kid, it was, basically, enjoyable. Click play above to experience said enjoyment.
CSLSX – Aeromancer feat. Mountain Man
December 14, 2011
Leave a Comment
More Christmas stuff this week in the form of Withered Hand, Forest Mountain Hymnal and the wonderful For Folks’ Sake Christmas charity compilation, which you should buy. Also, I found out about a new band who I’m really rather taken with, in the form of Saintsenica. Here’s a track:
Saintseneca – Acid Rain
By the way, I’ll get around to, you know, actually writing something specifically for the blog at some point.
October 11, 2011
Today I deal in facts. This is the ninth episode of my radio show, The Folk Bloke. It is one hour, one minute and forty-six seconds long, making it the second-longest episode I have broadcast (trailing behind the grotesqueries of the one hour, three minute and eighteen second long travesty that was Episode Five). In it I discuss the dullness of The Vaccines and the stupid manifesto written by new band Sons of Joy. I like it. I like you. I miss you.
December 27, 2009
What with the spirit of goodwill that’s being bandied around at the moment, I thought it only proper to recognise the achievements of those bands whose albums weren’t quite good enough (or didn’t exist enough) to be included on my end of year album list. So here we go, the unrecognised gems of this fair year of music. Oh and if you’re too lazy to download them all from below, and too impatient to wait for the next half tomorrow, here’s a big ol’ Zip file stuffed full of ‘em.
I know this has been around for quite a while, but 2009 was the year that this song was finally released, and it’s my list, ok? A more sparse and upbeat affair than their usual offerings, Montreal’s finest have created a jaunty, guitar-driven imagining of everyone’s favourite Bolshevik’s childhood, chock-full of piano sweeps and not-quite singalong moments.
I still haven’t got round to listening to this album, but if this song is anything to go by, it’ll sound like the White Stripes. A lot. I mean, everything about this song, from the vocals, guitar tone, crashing drums and even the skittering, twitching solo sounds like Jack and Meg. And in my head, that can never be a bad thing, it’s just badass from begininning to end.
Some didn’t take to it, but Zach Condon’s brief foray into laid back electonica made me a happy man. There’s something about the rising and falling of the underwater synths in this song, coupled with his idiosyncratic drawl that never fails to make me pleased, it sounds like a more chilled-out Hot Chip at times. If Zach ever decides to bring back his Realpeople alter-ego again, I for one will not be unhappy.
Another North-East entry, this time trying to wrestle the London-centric new-folk scene all the way up the A1. Ms. Houghton’s four track EP, Hot Toast Vol. 1 gave us an alternative to all those Southern softies (note: I am one) with a punchier folk lilt, with this opening track the standout.
Now, I understand this is a controversial choice for a blogger to make, but honestly, this is (to use the common vernacular) a CHOON. It always made me a little happier to be in a place playing crappy music, and when it was played in Newcastle’s coolest club (World Headquarters) by the coolest DJ (Tom), it vindicated my guilty pleasure. Plus, hearing Fergie sound like a fucking idiot when she shouts “Drank!” and “La chaim!” will never tire.
To be honest, this is a favourite just because of how fucking insane it is. I hated it when I first heard it, but one more listen convinced me that polka + Dylan’s new voice = terrifying, hilarious, genius. It’s brightened up my whole Christmas.
It’s not as good as the original, but the sound of those synths and Pip’s Essex preaching accompanied by Posdnous’ classic flow was always going to be a good idea. “Thou shalt not think that having a blog makes you a journalist”. Oops.
Time will tell if this band can get out of the one-trick-pony phase they seem to be in now, but their first single was my song of the summer. It’s an infectiously whistle-filled romp of post-punk surf pop that charmed many a blogger and even the discerning ears (read in sarcastic tone here) of Radio 1 for a time, albeit a long time after summer was over.
I really liked Esser’s album when it came away, but my interest waned after a few listens, it just seems to lack the real substance that a truly good album needs, but his singles were always winners, and ‘Headlock’ is no exception. Re-released to promote the album, it just jumps out at you, all mockney vocals and cheap-sounding synths and beats. It’s endlessly danceable and emininently catchy.
The sample track from the Morden boys’ second album piqued my interest in them all over again, with a heavier, quicker sound, but retaining the jangling guitar tone and Rhys’ yelping vocals that I fell in love with. Brilliant.
I’d never paid much heed to Grizzly Bear before this, the whole American indie sound is alien to my frosty British ears a lot of the time, but this the swooning vocals put over a sluggish stomping beat in this song just grabbed me, it sounds far more sinister than it should, and the video is bloody wonderful.
This is an insanely cheery slice of debut single indie-pop from Newcastle’s favourite new bunch of smiling loons. Full of yelps and charmingly twee lines like ‘Just like Carlisle, she lies on the border‘, the band seem to specialise in gettingnunder your skin and getting you to twitch about, just like the song. They’re getting an increasing amount of love up north, and if they keep making songs like this I can certainly see that extending all over this fair green land and maybe beyond.
I haven’t got hold of their album yet, but Local Natives’ indie band version of Fleet Foxes’ harmonies along with an irrepressible quick-march tempo is just beautiful. The amount of instruments they get into this song without making it sound overstuffed is a masterclass in prudent songwriting.